…OF
THE CRESCENT MOON
We
could as well have been ethereal Sirens, sneaking into the rocky plain of the
crescent moon, snuggled in folds of touching bodies and becoming cheeky for
lack of charming admirers. We could have been Assalatu maidens in Helenic
hijabs, curled around praying mats, trailing the tracks of the Tasbih, fondling
flushed toes, with eyes flipping sideways and singing songs of our restless
glee. We could have been prostitutes tainting Ajah’s streetlights in Lagos,
showing off thin torsos in twinkling tinsels, strumming seductive strolls and
unwittingly throwing teasing tits, moist middles to a nearby harmonic havoc of “Customer
Dadani”. We could have been anything at that moment when we chose to sit
astride one another on a rowdy remonstration of rugs and carpets, when we
tilled tunes of tales and sowed seeds of stories into the night, when we played
the role of murmuring muezzins to the cold celebration of Eid El Kabir.
It
was unlike us, this Scheherazadic camaraderie. We were usually these serious
species, seaming sorry solemnity into our slow Sun-days. We were perfect reminders
of the redeemed Ruth. More so, we were the kind that envassaled our everydays
to being enlisted in the envoy of enchanting Esthers, we vented out against
Vashti’s lack of virtuosity, denounced Delilah’s demonism, jabbed Jill flirting
Jezebel, but made a pact with prayerful Priscilla- we had willed ourselves to
become the Daystars to some diligent Daniel. Our fattening house of stringent
terms allowed no such time for flimsy frivolities like…fun chats.
But
that day proved different. It’s hard to tell why; it might be the orange
streaks of sunshine that seized the night sky and froze dreams, it might be the
grief of the crescent moon that is without a star to kiss his tail and prevent
the cloud from manacling him. Whatever it is, the fact remains that no icy
igloo could compare to the warmth that radiated from the rays of that telltale
night anchored by bashing breasts. It all started with the general outcry about
how expensive things have become,
“Rice
is now #600 per kongo”
“No
o, I heard it’s now #700”
“Things
have changed oo.” another said, “Back in the days when I was still in the
North…”
It
never did occur to anyone that the back-in-the-days of this certain dark
Cinderella with high cheek bones could be anywhere near the domestic docility
of Kainji in Niger state, so we all listened attentively like parrots learning
a new choral song.
And
yes, she didn’t fail our ears. She strung together stories of a cheap childhood
and almost free food; she talked of Acha, kunu, Doruwa used to make locust
beans, moringa mixed with white beans, Tuwo rice… Soon, the rhythm became
familiar and echoes began to weave themselves into a complex pattern of playful
reminiscence. Back-in-the-days became a colourful tapestry of Ekana Gowon,
GoodyGoody, Paco biscuit, Baba Dudu, Robo sweet, garri cake, Olobeloloko TV
show…
Somehow,
the reminiscent rhythm got higher by an octave so that childish pranks became
celebrated trophies. The pitch of each prank determined the intensity of the
laughter, tapping of thighs and clicking of fingers,
“When I was still small, I asked my mom
if I should come home from school myself. She said, ‘ehn, come home na, you
know you have been the one coming home yourself…I obeyed her and I fell right
in front of a trailer…”
(Laughter)
“When we were still small, my twin sister
and me punished a grown man who used to come to our big house to steal
mangoes…we made him sweep the entire compound so that we won’t tell Daddy…”
(More
Laughter)
“Greedy
man”
“Did
he come back again?”
“Yes
oo”
The
laughter reached such a forte that our songtales became a discordant harmony of
hiccups
We
needed a lead singer.
We
found her , and too soon- she was a pink lipped petite Snow white who we
thought could barely crush a bad apple, much less good words,
“My
mother, ehn, she was very stubborn in her days. She lived with her granny…”
She
then went on to tell us of how her mother wrecked this granny, eating the Akaras
she was meant to hawk, chasing customers away with her ajantala antics,
throwing stones at the granny’s house, breaking her louvres, even singing
abusive songs that seemed to have no referent,
Kampala
la so ole (Kampala is the cloth of the lazy),
Kampala
la so ole (Kampala is the cloth of the lazy),
Ole
ko ni aso meji ju Kampala lo (A lazy person has no other cloth other than
Kampala),
Kampala
la so ole (Kampala is the cloth of the lazy).
[The
old woman wore kampala all the time]
Of
course, granny was no easy beef; what followed every prank was her, being tied
to the ceiling fan and given a thrashing befitting for an aggressive goat. One
sure safety valve for this ajantala child, however, was to run to one great
great grandpa’s house where even granny could not touch her.
It
was at the point of this fickle family connection that I realized I had no
place in that great circus of talebearers. Unlike them, I had no childhood
memory to spindle into glitters of laughter; Bare metals, Black milk, Bleeding
meadows, these are all I can conjure of my back-in-the-days. I wouldn’t dare to
want a place amidst those animated faces of Dark Cinderellas and Adimole, pink
lipped Snow whites, but something tells me I am the golden haired Rapunzel hid
behind a taming tower, sullenly staring at floating lanterns, wishing they held
the headword to my appositions; I am that doe eyed Daisy whose sunflower hair
has been shaved by my very Heartbeat so the wicked Grendel will not kill the
only memories I have stored…
“Wait,
wait, there is this marching song we used to sing back then,”
CALL:
Sha sha sha we match together,
Sha sha sha we march away…,
Sha sha sha we march together,
On Monday.
RESPONSE:
Mama Jollof rice.
We
all went into a marching spree filled with comical caricatures which
crescendoed into a cosy collision of laughter that highlighted our outlived
innocence, so that all at once, we became the five points of the one star
needed to incite the crescent moon into a fertile feeling of festivity.
Tesbih-
praying rosary of Muslims
Adimole-
a Yoruba hair style
Kampala-
Dyed cloth
Ajantala-
mythical stubborn child
ptL
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